
Post Production Supervision Credit
Sampling
Douglas Braddock
|
2005 |
To Catch a Thief, Locked Down Eat Yourself Whole Sing like a Superstar Various television series |
Post production consulting at points in the production process, also technical support and aspects of quality control. |
|
2004 |
High Tide Super 35mm Warner Brothers feature, Daybreak Productions. |
Post production consulting including extensive digital intermediate tests and post-process evaluation. |
|
2003/ 2004 |
Pet Detectives 13 part Sci/Fi children’s drama series for Screentime Communicado (released by TVNZ and Target UK). |
Post supervision, technical quality control, extensive schedule management. Post team supervision. |
|
2003/ 2004 |
Treasure Island Kids series of three children’s cinema feature films for Daybreak Pacific (Crystal Sky releasing). |
Post supervision. Frontier – films shot on super 16mm, processed through HDCAM digital intermediate, and printed to 35mm for release. |
|
2003 |
Secret Agent Men 12 part kidult drama series for Greenstone Productions (broadcast by TV3). |
Post supervision from part way through series. Frontier – series shot entirely on mini DV format. |
|
2003 |
Cave In Super 16mm telefeature, Daybreak Productions. Extremely fast turn-around production. |
Post supervision oversight – working with a small PPS team. |
|
2002 / 2003 |
Terror Peak Super 16mm telefeature, Daybreak Pacific. Involved some HD video, and numerous CGI effects. |
Post supervision. A frontier on this film was posting daily rushes on the web for international viewing. |
|
2002 |
Hope Ranch Super 16mm telefeature, Daybreak Pacific. |
The film was shot in the States. Post production was completed in NTSC. |
|
2002 |
Cupid's Prey 35mm 3 perf telefeature, Daybreak Pacific |
Post supervision through to delivery items. Initial liasion with DVD mastering house. |
|
2002 |
Vector File 35mm feature film, Scary X Films / Daybreak Pacific |
Coordinating film res computer effects, neg match and laboratory coordination, interface with sound and composer, overseeing film to tape completion. |
|
2000 |
Lawless 2 x telefeatures, 16mm acquisition, South Pacific Pictures |
Coordinating two edit suites during production, coordinating sound, composer, online, graphics, and completion. |
|
2000 |
Exposure and No One Can Hear You 35mm feature films. Daybreak Thrillers |
Technical support to edit suite, coordination of optical processing. |
|
1998 |
Wild Blue 35mm feature film. Daybreak Pictures |
Coordinating sound, neg matching and lab. |
|
1996 |
Repeat Performance 60 minute 35mm feature film, Daybreak Pictures / World Wide Pictures |
Interface with neg matcher and optical processing. |
|
1995 |
Plain clothes VTR / South Pacific Pictures |
Coordinating offline edit suites, sound syncing system, online editing. |
|
1995-1997 |
Shortland Street VTR / South Pacific Pictures |
Training editors on use of Avid. Setting up online and quality control systems. (oversight of more than 500 episodes). |
|
1989 |
Space Knights |
Special Effects and online post production coordination. |
Film / Drama Editor Credit Sampling
Douglas Braddock
|
2001 |
Ozzie 35mm feature film, Daybreak Pacific |
Director Bill Tannan. Starring Rachael Hunter, Joan Collins and Ralph Muller, and a talking Koala Bear. Unreleased as at 2003. |
|
1999 |
Kids World 35mm feature film, KW Films / Daybreak Point |
Director Dale Bradley. Starring Christopher Lloyd and Blake Foster. NZ Cinema Release in 2002. |
|
1998 |
Wild Blue 35mm cinemascope feature film, Challenge Communication / Daybreak Pictures. |
Director Dale Bradley. Starring Rudge Reinhold and Nicola Murphy. NZ Cinema Release in 2000. |
|
1997 |
Lost Valley 35mm feature film, Daybreak Pictures. |
Editor, post supervisor. |
|
1996 |
Repeat Performance 60 minute 35mm feature film, Daybreak Pictures / World Wide Pictures |
Director Dale Bradley. |
|
1989 |
Space Knights South Pacific Pictures |
Coordinating post production special effects and online editing. Edited one episode. |